Radical Relationships and the Evolution of Identity

Three years ago I set out on a journey to explore my identity- I wanted to know who I was and what was going to work for me in relationships. I committed myself to a two year period of being Singleish, without a primary partner, and being Polyamorous, having multiple partners. Three years and thirty-nine lovers later, I have an identity- and it isn’t the one I started out with.

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Every so often I get asked about the difference between Relationship Anarchy and Polyamory. To summarise very obtusely, the former is more of a philosophical approach to relating to people, whereas the latter is the label given to a particular form of Non Monogamy. Yet, in practice, they appear to have a lot of overlap. For me, the more I dive into exploring and examining what Relationship Anarchy is, the more I develop a love/hate relationship with the term “Polyamory”- adoration for the freedom it offers, and frustration at the limitation it can present with.

I can tell you what I believe to be true about Relationship Anarchy- it’s a philosophy that provides a construct for the most consensually-based relationships. Whereas the act of applying labels like ‘monogamy’, ‘primaried’, ‘polyamory’, and so forth, is about defining what we have with someone (sometimes with the belief that by defining something we preserve it, a notion I don’t personally buy into anymore), Relationship Anarchy is a conversation about, “Where are we right now?” and “Who are we today?” and “What’s real for us in this moment?”

I sat down recently with my dear friend Ian MacKenzie to talk about the concepts of Relationship Anarchy, and the possibilities I feel it provides for whole communities, along with the opportunities for a new paradigm of relationshiping to emerge- one in which individualism and collectivism can once again be in harmony. This is a paradigm that I think goes a little deeper than the scope of Relationship Anarchy, and so I’m calling it- Relationship Radicalism.

You can listen to my conversation with Ian below, and/or follow along with the transcript here.


I think that Radical Relating- and the evolution we are seeing within that- represents a powerful paradigm shift around the art of relationshiping. It isn’t relating for the sake of arriving at some fixed destination, nor is it a process of auditioning for particular roles one requires to be filled. Rather, it is relating for the sake of relating.

It is relating from a place of authenticity. It is relating in a way that both honors the needs, wants and desires of the individual, whilst seeking connection- and synergy- with a collective.

This is the paradigm I find growing in my own life, as I witness myself blossom into a multitude of deeply loving, evolving, embodied, long term relationships, both romantic and aromantic, sexual and platonic, with lovers, metamors, friendtimacies, and platonic friendships all occupying significant places in my life.

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What I see coming in the not-too-distance future, both in my own life and in the communities around me, is something that is about much more than romantic, sexual, and intimate relationships; I feel that it provides possibilities for whole communities, and is independent of whether individuals are choosing monogamous or non-monogamous relationships. And, I’m excited to explore that together with some extraordinary people!


Ian MacKenzie and another friend of mine, John Wolfstone, have been making a documentary, The Healing Of Love, inspired by the Tamera project in Portugal. Tamera is an intentional community, a functioning example of people experiencing relationships from a place of consent and radical honesty. Please go check it out and support their project by sharing the word!

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Born This Way: Polysingleish Interviews Rachel Lark!

Sassy songstress Rachel Lark, formerly of Psychedelic-Rock Band Antioquia, is the rising star of the sex-positive comedy scene in North America. Emerging from Dixie De La Tour’s Bawdy Storytelling in San Francisco, Rachel has performed on the Savage Love Cast, and recently finished up a tour of North America. I got to meet her last year when she came to play at Vancouver’s Erotica Electronica and blew the socks off everyone! She just launched a kickstarter campaign to raise money for her first official music video- for her song Warm, Bloody and Tender- and I decided to find out a little bit more about this phenomenal woman.

 

The Importance of Play

10456169_965426473477060_1911291600581177019_nMel: Rachel! You’re a singer and songwriter. You used to teach music to babies…

Rachel: I actually still do teach babies, a little bit- I do a bit of contract work with preschools.  Basically I teach parents how to be musical with their babies, because kids learn from modelling, so if your parents sing to you when you are a child, it is very likely that you will be musically proficient. It actually doesn’t matter how good they were at singing, it just matters that they sang. So that’s what I used to do full time, and  I really like that balance, cos sometimes when you’re a musician, in clubs and bars, in makeup, dealing with drunk people… well, its really refreshing and energising to be around young children, who are completely unaware that later in life they’re gonna have to get drunk to be this silly, you know? They’re just into it because its fun. You don’t have to convince them at all. I love working with kids, I get inspired by them, and it’s a hugely validating experience to have a group of children super stoked and having a good time. Of course, if I was only doing that full time, I’d probably have to kill myself, because there’s only so many times you can sing “Pop Goes The Weasel” before you go crazy, but its a nice balance.

Mel: So how the heck did you end up touring North America and singing songs about consent, cunnilingus, and dropping acid on christmas day?

Rachel: They sort of happened simultaneously! When I first came here to the Bay Area, I came here to join a band called Antioquia, and we toured the country non stop for two years. It was my full time thing, we were all broke, and I had random gigs trimming weed and catering and substitute teaching and babysitting. We would come back home, do a couple of things to make money, and hit the road again. So it wasn’t till that band broke up that I wanted some kind of job in the Bay Area that was regular and fulfilling to me, rather than just all these gigs on the side, and that’s when I started teaching full-time, but that’s also exactly the same time I started my solo career, and picked the name Lark, and worked on the stuff I’d wanted to write for a long time.

So I found this stable job that was really fun and creatively gratifying, and I started making this music that was really fun and creatively gratifying, and it was really in tandem for a while till it hit the point where I really had to pick one. And it was hard to give up the teaching because, a) the money was good and b) it was really rewarding and great to get to know these kids and families. But I needed to be able to tour the country. And I decided, you know, I can teach twenty years from now, I can’t necessarily tour and play five shows a day twenty years from now.

But- maybe what you’re asking about is I sing about sex and drugs and I also teach kids? I think that makes perfect sense! I might be wrong, but I think that people who are good at working with kids tend to understand Play, and if you understand Play, well I think that we think of Play as being something that is reserved for children, and when grown-ups play, its usually like sex or drugs or dealing with life in a fun, uninhibited way. I think that Play is extremely important no matter what age you are. Clearly it needs to be age appropriate, but I don’t think there is any real contradiction there in understanding play at whatever stage you are at.

Mel: It’s almost like you have this Clark Kent Persona that teaches music to babies, and then you take the glasses off and let your hair down and are like, “Hi, I’m Rachel Lark, and I’m going to sing a song to you about a threesome.”

Rachel: I don’t feel that I’m a different person when I walk into my classes with kids. Clearly I’m not singing about the same things. But my suspicion is that if you were to come to one of my preschool classes, you would also be laughing your ass off and having a great time, and wouldn’t be disturbed by this new Rachel you see in front of you. I think it’s a continuous thing for me- and my bigger mission of just getting people to simultaneously to lighten up, and question everything, is very compatible with both of those ideas. I’m also lucky that in the Bay Area a lot of parents I meet are thrilled to find out what I do in the evenings. They don’t see too much of a contradiction. It is funny. It is good fodder for a memoir.

Sex Positivity

Rachel playing in Vancouver at Erotica Electronica, Oct 2014. Photo by Cameron Bowman

Rachel playing in Vancouver at Erotica Electronica, Oct 2014. Photo by Cameron Bowman

Mel: What does the term “Sex-Positive” mean for you?

Rachel: I just read this article about Sex Negative Feminism. To me, sex-positive means celebrating sexuality, and this article that I read was saying that this author’s view of sex negative feminism- and why she called herself a sex negative feminist- is because she believes that sex discourse has a place when we are talking about sexuality too. Some third wave feminists believe that whatever turns you on is great and we should never talk about how that could conflict with your feminist ideals, whereas this other author is saying, no, we should think about how patriarchy plays out in our sex lives and we should be analysing that.

I tend to be between the two. I think sex is fascinating to talk about from an analytical and political perspective. But at the end of the day I do believe that understanding what turns you on and embracing that is a wonderful thing, and I think that we have to live in this world, and we have to love ourselves in this world, and we are not going to help ourselves by feeling shame about what turns us on, because that is often like a very deep thing that is part of who we are.

I think that what’s wonderful about the Kink community and the overlap between feminism and kink: there are ways to play with these things that can turn you on, while also holding true to values that you have as an individual in other parts of your life. In short, I think sex-positive means loving your kinks, loving your turn ons, and having that eager curiosity to learn more about sex and appreciate the joy and the play it can bring into our lives.

Mel: Well said.

Rachel: Thanks!

Non-Monogamy and Healthy Relationships

Mel: I know you talked with Cunning Minx a bit about this- I’m curious, how would you define your flavor of non monogamy?

Rachel: Hmmmmm. Ummmm, my flavor of non monogamy. Well, I definitely feel like calling it Non-Monogamy. For starters! But, I don’t know. Since I did that interview a lot of people have talked to me about the Relationship Anarchist title, and I do like it, I think I do wanna stick with it. I believe in honesty and communication and commitments. but I don’t believe in promises about the future. I can promise behaviours for the present, and I can commit an intention about something, but I’m very jaded about the concept of “I will love you forever.” But maybe that’s just cos I’m someone who got married when I was 23! On my dating profile I write, “I make no commitments except to honesty and things not sucking.” Does that answer your question?

Mel: Oh, it totally does. And I can relate, as someone who got married at 22, that jadedness about loving someone forever- you learn a lot about getting stuck with those expectations and getting trapped and limited by them. I was going to ask you what you think makes a healthy relationship, but I think you’ve already answered that! Honesty and things not sucking, I like that.

Rachel: Yeah, you take care of you and I’ll take care of me, so we can take care of eachother. I think ‘healthy’ is such an interesting word. We have so many weird cultural markers for what’s healthy, and often ‘are you in a relationship’ is a marker of if you are healthy. You’re in a long term relationship- oh even healthier! I don’t identify with that as a gauge of mental or sexual health necessarily, but I think that healthy relationships of all kinds, whether they are friendships or romantic relationships or flings, are relationships where you both feel like you are being seen and valued for who you are, while at the same time being challenged to grow in the ways that you want to. I think that’s the good place to be. And if you’re a single person with a bunch of great friends and fuck buddies and you’re getting that, i think that’s extremely healthy. And you know sometimes we get stuck in relationships, and we’re not growing, and we start growing backwards and pulling out the bad parts of each other, and I think that’s very unhealthy, and you should get out of a relationship if that’s what’s happening.

Mel: Dan Savage has talked about the importance of people doing non-monogamy to be open about it, if they can. Do you see a role for yourself in promoting awareness of healthy non-monogamy?

Rachel: Absolutely! It’s a big reason why my boyfriend Andrew and I put our relationship status on Facebook. It’s not something either of us were into before we started dating, but I felt it was important to put “In an open relationship with so-and-so” on facebook, in large part because I feel it’s important for non monogamy to be visible. I want people to be aware that I am in a happy, public, non monogamous relationship. Also, I wanted him to have an easier time getting laid.

I feel like I’m in a place where I feel super fine being open about it and have no problem talking about it.

Consent

Mel:Your song “For the Guys” has become an anthem for Consent Culture. What inspired it?

Rachel: Yay! Oh, what inspired it? A couple of years ago I was in a community of musicians, and a guy in that community was sexually assaulting women in that community. It started with one rumor that was easily brushed off cos “she was crazy” but then it started to be more and more women. And I hooked up with this person, and had a situation where we were making out and things started going really fast and I said “Hey stop! Hang on!” And he didn’t, and I had to scream and push him off me. I wasn’t raped, but what I had been through certainly gave a lot of credibility to what other women were saying.

I was approached by some women who wanted to organise an intervention of sorts, and it was a really, extremely hard and strange process. We had no idea what we were doing. There wasn’t enough evidence to prosecute this person. A lot of the women felt they weren’t heard or seen by this community they used to be part of, and they wanted a chance to speak, and confront this community they felt had turned their back on them. We organised 50-60 people together, to have a meeting about what to do. It was one of those events where you see everyone’s true colors. Till this point we all knew each other from partying and having a good time, and things never got deep or challenging, and then we were facing this moment where you could see who was willing to step up and handle this, and who would rather act like its not a problem.

So we had this meeting. We brought in a woman from Bay Area Women Against Rape to talk about Rape Culture, and then each woman read out their story to everybody. There were eight women; those are just the ones we knew about. There was a facilitated meeting, a conversation. It was frustrating, because there was one comment at the time that really got me. This guy raised his hand and he addressed the women in the room, “You know, women, you guys need to express yourself more, cos sometimes it’s not clear, and sometimes there’s this grey area and we don’t know what’s going on.” And I didn’t have the words in the moment to say, “Cool, then get your dick out of that human! If it’s not clear, what the fuck are you doing?”

I didn’t have the words at that time to say that, and I was just in shock. There was so much in the meeting about what women can do to protect themselves better, and also how to help this guy. It was frustrating, realizing that a) I don’t know what to do in that situation, still, cos what we did didn’t do a damn thing, cos he raped two more women within a year after that and he’s still out there, and b) it was really amazing to see that people find it so much easier to believe that a community of women would make this up, than believe that it actually happened.

I stayed in that community for a while and was jamming at someone’s house one night, there were thirty people drinking and playing music, and at a certain point I was going to leave, and everyone was like “No don’t leave!” I joked to my friend about how no one was letting me leave, and he said, “That’s cos you’re the only girl left.” I suddenly felt really unsafe. But I realised I was drunk and so I decided to crash, and he gave me the couch. I went to sleep and turned off the lights and then I woke up later to a guy making out with me. At that point, I realised that community was toxic. And I held so much anger about this, and people were telling me to write a song about it, and I was like “Fuck that! This is so stupid, it’s so obvious you don’t behave the way these men behave!” I was kinda defiant. Assholes don’t get songs written about them! I’m writing positive stuff about positive experiences!

And then- there was a Bawdy Storytelling show coming up, and the theme was “Trigger Warning” and there were no stories about rape in that show. So I started writing it six months before I had to perform it. It was the hardest song I’ve ever written.

Mel: Wow, thank you for sharing that. That’s intense and, the sad thing is, that’s not the only community where things like that happen. I hear these stories repeated over and over again. It’s great that you wrote that song, I’m so glad that you wrote that song. Humor can help teach people. My experience talking about Consent Culture in my community has been that a lot of people just want to get angry about it and about fighting Rape Culture. But the people who are oblivious, who don’t understand there’s a problem or that they might be part of the problem, they don’t respond well to the aggression, and they just act defensively and say “Fuck You!”. But to have this song, and say, “Here, this is funny, and we can laugh at ourselves in this song” I find that sinks in deeper, and reaches more people.

Rachel: I agree! I have been sort of humbled and terrified that there have been several men who have come up to me and said “Wow I never really got it that way before thankyou.” I think, wow, I feel excited that my song did that for you but I’m also like- really? You didn’t get that before this moment? But yeah it is pretty amazing.

On the Rise to Stardom

Mel: So, you’ve performed for the Savage Lovecast, as well as for Bawdy Storytelling. How does it feel to be an up and coming celebrity in the world of Sex-positive, non-monogamous Relationship Radicals? What’s it like?

Rachel: Surprising! It’s surprising, it’s exciting- and yeah it’s certainly not how I thought my path to career musician was going to go. There’s so many great musicians out there who write great and funny songs about sex, and I didn’t think myself to be so different from a bunch of songs that Dan must have heard already. But, I’m super grateful. I do write about other things! And sometimes friends who have known me throughout my career ask me, “Is it weird for you that people just expect the funny raunchy stuff?” And- no. I mean this stuff is still super emotional for me. I don’t think it’s trivial, but also the reaction that I’ve gotten is that people who become my fan through hearing me on Savage Lovecast or Bawdy, once they discover my other music they are usually really into it and supportive as well. I don’t feel that it’s a different person I put on. It’s all me. And when people like an artist they tend to trust them to do different stuff.

Mel: I’m super appreciative of your musical versatility. I loved your loop set when you played here in Vancouver. You sang Flowers Fuck- with all the beautiful feminine vocal melody happening. It’s so cool! Its groundbreaking.

Rachel: That’s the next music video I want to make! For the electronic version of Flowers Fuck!

Mel: Speaking of music videos! Let’s talk about the Kickstarter campaign! You raised 25% in your first day! And from what you told me, it’s going to be a “who’s who” of today’s sex-positive celebrities. What more can you tell us about it? How do you think it will affect the world?

Rachel: Well, I can tell you that Dan Savage is going to be covered in… blood. And, call me crazy, I think that might get some reach!

It’s tricky being an artist and wanting your stuff to get a bigger and bigger audience and thinking maybe this will be the thing that goes big! And I try not to think that way cos my path so far has been through this awesome organic growth of community, and I think that’s more important than suddenly getting a million views on Youtube and being forgotten later.

But it would be cool. It would be cool to make a music video that gets picked up by some sex and feminism blogs, and I feel ready. I feel like the music is ready to be heard by more than just the West Coast pockets of sex positive communities that I’ve gotten into.

Being an independent artist and having a well done music video that showcases your message is critical, it’s like a business card, its an essential part of levelling up in terms of the kinds of shows you are booked at, the reach you are able to get, how much you get paid for different shows. It’s a critical step in your career, and to do it right, you do kinda need a lot of money. It’s going to be pretty epic. The team working on it is amazing, their sense of humor and professionalism- it’s that perfect balance of class and vulgarity that I tend to hang out in. It’s a really good fit. We’ve been doing pre production for months, and so much has already been happening. It’s amazing to see all these people who want to be part of this project, and that it is worth all this effort.

Mel: It’s my favorite song, well, other than Acid and Hot Springs.

Rachel: It’s a catchy one! It has a solid hook!

Mel: Yes! That sing along bit! One of the best things I have ever witnessed was three hundred kinksters and ravers sitting down to listen to you play that, and joining in with the chorus.

Rachel: Yeah, that’s the preschool training!

You can find Rachel’s Kickstarter campaign by clicking here, download her previous albums on her Bandcamp Page, and stay updated on her tour and show schedule by following her on social media here!

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Compassion, Communication, and Community in Consent Culture

“I think part of the reason we have trouble drawing the line “it’s not okay to force someone into sexual activity” is that in many ways, forcing people to do things is part of our culture in general.  Cut that shit out of your life.  If someone doesn’t want to go to a party, try a new food, get up and dance, make small talk at the lunchtable–that’s their right.  Stop the “aww c’mon” and “just this once” and the games where you playfully force someone to play along.  Accept that no means no–all the time.”

~ The Pervocracy

I do not put myself up as a poster-child for Consent. Like everyone else in the world, I have been raised with mixed messages around Consent, messages about gender roles that negate autonomy, messages about societal expectations and how to counter that. It has been a journey of great humility and some difficult lessons, for myself and for many others. But, it is a journey I am 100% dedicated to, because I believe that at least 98% of us have no desire to hurt or harm another person.

I’ll say that again- I believe that at least 98% of us have no desire to hurt or harm another person. However, I also believe that we have all done so, in moments of what I call “selfish idiocy”.

There are no experts here, we are all students.

12The deeper you go into the “rabbit hole” of Consent Culture, the more you find there is that you had never considered before, and the more you begin to see every interaction with another human being through that lens of Consent.

That can be challenging, for many people. It can be especially challenging for people who have been the victims of consent violations to realise that they have violated the consent of others.

I have deep respect for all the people who have devoted their time and energy to exploring aspects of Consent in so many different arenas of life. We, today, are better equipped, have better tools for learning consent than ever before. And change is happening, inch by inch.

However, I personally caution against anyone thinking that they’ve got consent 100% nailed down in themselves. Overwhelmingly the message about consent is linked in with sex. But, consent is about so much more than sex. Consent is something we can aspire to in every interaction.

When we are learning about consent only with sexual motivations as a reference point, I think it hinders the ability to really develop consent within ourselves.

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Got Consent?

What is a consent violation, if not something solely to do with sex? Quite simply, it is when you take what someone else isn’t willing to give, or force someone to accept something they don’t want. It could be physical, verbal, tangible or intangible, emotional, or simply a question of using time and/or space. Whether intended to harm or not it doesn’t matter. What matters is that another individual’s desires and boundaries were not respected. And any violation of consent becomes serious if it creates trauma.

Consent culture is about respecting that we have no right to take or demand what someone else is not willing to give or share.

A culture of consent is, I believe, one in which interactions are guided by compassion, respect, tolerance, kindness, and patience.

I’ve been contemplating for a long time- how does one call someone on their non-consensual behaviour? When someone within your community, your ‘tribe’, your polycule, or your family is behaving with disregard to others, how can you confront them? And, when someone has seriously violated others- whether intending harm, or simply acting from a place of selfish idiocy- how can we, a community, lovingly yet sternly put our foot down about it?

shadowsCalling someone ‘out’ can ostracise them. It can leave a long-lasting stigma. Staying silent about someone’s behaviour, on the other hand, means that they will likely to continue to engage with those same behaviour patterns, and- intentional or not- continue to hurt others. I’ve seen some community groups just quietly remove someone from their social circles. I’ve witnessed the “back-stage” type gossip, where people try to pass along the word about a potential ‘predator’ (or actual predator) without pulling things into a public spotlight. I don’t think any of these approaches really addresses the root cause.

The root cause, is that we’ve grown up in a paradigm where we’re told it’s okay to take something from someone, even if they aren’t willing to give it to you. We’re told we live in a world of scarcity, that we have to battle to be seen, to be heard, to be accepted. We live in a paradigm of fear, of distrust, and of competition. And because we- as a society- tend to default to seeing the world through that lens, we are more prone to violate the consent of others.

I think we need to change that paradigm. And I think we can do that by shifting the way we address situations where people have problems recognising boundaries, and problems recognising that they have violated consent.

“The first part of calling each other in is allowing mistakes to happen. Mistakes in communities seeking justice and freedom may not hurt any less but they also have possibility for transforming the ways we build with each other for a new, better world. We have got to believe that we can transform.”

~ Ngọc Loan Trần, in Black Girl Dangerous

If we embrace the fact that we are all going to make mistakes, I think it becomes easier to talk about our mistakes. And, talking about our mistakes brings us closer in a practice of healthy conflict process. We can accept and own our errors more readily when everyone else accepts and owns their own errors too- and then, we get to share some humble pie and look at how we can transform together.

It’s also very important to remember that, even if our own consent has been violated in the past, even if we carry trauma from that, it doesn’t mean that we aren’t capable of hurting others. We all need to work on healing our wounds, and make sure that we don’t transfer our pain onto others.

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So, when we need to call someone in our tribe on their behaviour, are we doing so to try and vilainise and ostracise them? Or, are we doing so because we want to let them know they made a mistake, and to ask for their support in helping the person(s) who have suffered from that mistake, while also supporting them in their learning journey?

When we ourselves are called on our errors, the moments we have pushed past thinking about whether there were boundaries or not, how do we respond? Do we fly off the wall in a rage, defending every minutiae of our behaviours, or can we listen and accept that, regardless of our intent, something went wrong, and another being has suffered. If so, how then can we atone, and show remorse?

I believe that answer to all of this, is that we need to be involved in one another’s consent journey, in the healing process for everyone. Being involved in someone’s healing journey might well mean staying the fuck away from them if your presence is going to remind them of the trauma you inadvertently caused. The things that support someone else to heal might be very different from the things that support you to heal. Ultimately though, we’re not alone. We are in this together, and so I think we need to come together, with love, with patience, with compassion.

I don’t pretend this will be easy. In fact, I have already witnessed how hard it is, both in myself and in others. However, I think an essential part of talking about Consent Culture is the willingness to examine one’s own behaviour, and willingly place oneself in a place of accountability that can be challenging or uncomfortable. Yes, this means having difficult and uncomfortable conversations, having your words or actions challenged, or sometimes interacting with people who might make you feel uncomfortable.

People are hesitant to question leaders, afraid to be shunned. I think that sometimes leaders are, just like any human, oblivious to the added power dynamic they employ in relationships through being a leader. That means it is so important for community leaders to be open to public feedback, to be humble and earnest about their own journey with Consent, and to respond with respect and compassion when they learn they have caused hurt or harm to others.

So we have also got to have compassion for the challenge this presents, and have patience with one another.

My own personal goal, is to hold space and provide experiences whereby others can really grok, that is, to know it inside and out, what consent is and isn’t. What it feels like right in your bones to ask for consent, to respect a no, to give a no, to give an authentic yes, and so forth. And, not just with sex. With anything and everything. With, “May I touch your nose?” all the way to “Would you like some help?”, or, “May I interest you in these plums?”.

Developing that awareness, that honest and heart felt consideration for one another, in the face of living in a society that gives us the explicit message that we can only get what we want by demanding or taking it, regardless of others- that’s the challenge. And that’s a process that needs to be engaged with not just at sex parties and sex clubs, but across the board- in schools, in work places, in relationships, in shared homes, within families, at dance parties, on the bus, on the street, in the stores- in any place and in any way that humans interact with one another.

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Expanding and Exploring

“You have permission to ask for what you want.”

Do you really know how to play?

Do you really know how to play?

These words of relationship advice, from Marcia Baczynski, shifted my perspective about the relationships I was in at the time, leading to an evolution in the way I have found myself approaching relationships today. I had been growing fed up of intimate relationships where it felt like no one ever knew what they were doing. In bed, I too often felt like a beautiful musical instrument, with a novice randomly plucking strings, hoping to coax a melody- or concerto- from this highly complex form. I didn’t want that any more. I wanted that to change.

Last summer at a music festival, I fell in love on the dance floor. The crowds parted and I became mesmerized by a young man spinning a glowing staff. My attention caught, I complimented him on his dancing, saw him again briefly a few days later- but it wasn’t until running into him several months later in the city that we actually had a chance to connect.

The incredibly beautiful, exotic, fire and poi-spinning Marco had me curious. We chatted online and on the phone for a couple of months before going on a date zero- I was a little hesitant to date someone eight years younger than me, but I soon forgot about that and had an amazing time. On our next date, we discovered that we lived ten minutes walk away from one another.

Marco puts extra anarchy into relationship anarchy, in a really good way. It’s almost impossible to keep up with how many women he might have dates with. His work schedule is on call and often unpredictable and so dates are sometimes really spontaneous. One of the things I enjoy the most is that the dynamic he and I share together is one of experimentation and adventure.

Where would the electricity be without willingness to experiment?

Where would the electricity be without willingness to experiment?

Our dates have included a trip to the STI clinic (followed by lunch), midnight booty calls, loud and kinky morning wake up calls, making a stilt-walking elephant together, an epic sexy after party in our hotel room where we mostly observed and directed our friends having an orgy, eating ice cream together in his bedroom hammock, sensually grinding together on the dance floor after almost 24 hours of no sleep, poi spinning lessons in my back yard, and whispering poetry to one another into the wee hours of the morning. We talk about kinky things we want to try out, we share thoughts about shamanism, and we collaborate on creative projects.

From past relationship experiences, I’ve found myself growing cautious of diving too deep into clothes-ripping passion all the time. I’ve had some really beautiful connections burn out because the focus was so much on physical expression- but not so much on exploration, and as a result I would have great sex the first few times, fuelled by the excitement, adrenalyne, novelty and NRE- but it would quickly peter off, resulting in a string of six-week long relationships.

I didn’t want this to be another six week relationship.

I also found myself in a quandry over sponteniety versus consent. Marco and I were exploring the edges of our kinky personas, and both enjoyed doing so with sponteniety. He knew I was very passionate about enthusiastic consent, and expressed once that, in his perspective, the conversation around consent was taking away from the spontaneous aspect that made things so much fun.

Just because you're enjoying something, does it mean your partner is enjoying it too?

Just because you’re enjoying something, does it mean your partner is enjoying it too?

For my part, consent has become an important part of relationships and building trust. I’d experienced holding back a lot in intimate exchanges because I was afraid of having my own boundaries crossed or of crossing someone else’s unintentionally- something that had happened for me in the past. I mean, there’s always that hope that I will find partners who are 100% psychic and can read my mind to see if I’m comfortable or not- but the reality is, we can’t expect someone to know something about our intimate preferences unless we reveal that information to them, and likewise, we need to ask our partners for feedback about whether what we are doing feels good for them or not- instead of just assuming that it probably is.

One night when Marco came over to my place, I decided that I needed to ask for what I wanted. So, I put forward a proposal to him:

“Tonight, I’d like to invite you to explore me. Just do whatever you want. Follow your instincts. And I’ll give you feedback at every step. I want you to learn my body. And if something doesn’t feel good, or doesn’t do anything for me, I’ll communicate. And if it’s amazing- you’ll know, and if I know how to, I’ll guide you on how to enhance the pleasure for me.”

Never before had communication felt so sexy. As we played, I got to show him how my different erogenous zones can be connected, how a slap or a bite in just the right place can make me melt or take me to the edge. I learned things about my own body as he experimented with differing pressures in different places. And after, we talked about all sorts of other things we want to try further down the road.

After that experience, not only was the quality of our physical intimacy enhanced, but our communication around sex grew leaps and bounds too. We’d taken time to learn one another’s language. He, as someone who plays more dominant, had discovered how to read my responses, and I’d learned how to communicate with fewer words and in ways that made the communication part of the play. As a consequence of just that one night, we started to feel more comfortable with greater sponteniety. The trust we share evolved because we took one another to the edges and learned to recognise one another’s “no”.

piano maestro

“Practice Makes Perfect”

There is tremendous power in slowing down from the insane devouring passion and finding our way into a natural flow of communication between bodies. Tuning in, and learning how to read our partners, rather than just assuming we know what’s going to feel good, assuming that all people function exactly the same.  Think of the difference between someone who sits at a piano and randomly tinkers on the keys hoping to make music, versus someone who has studied and become a piano maestro, effortlessly dancing their fingers across the keys and filling the room with the sweetest music.

We may both be Solo, we may be one another’s ‘proximal’ relationship, we may be in love, but we also know this relationship may not last in this same form for all time. Marco reminds me to be present to what’s in front of me, to be present to the moment. We are growing and learning together, and there is no telling what the future may bring. I pinch myself from time to time that someone as unique and talented an individual wants to hang around with me, let alone undress me and devour me with so much passion- and it’s a passion that seems to just grow deeper and deeper.

Exploring the edges of our comfort zones, and expanding beyond them, has never felt so comfortable, nor been so fun. We explore eachother’s bodies, eachother’s minds, eachother’s souls.

And the lesson in this- that asking for what you want is one of the best things you can possibly do within a relationship- has me contemplating all the other things I have often wished for but never outright asked for from my partners. There’s a sliver of risk involved in asking. What if they say “No”, or judge you for it, or break up with you because you asked for something? That’s the fear dialogue running through our minds holding us back.

We don’t have to listen to the voice of fear. We can embrace the risk and choose- dare- to ask the ones we love and trust if they might be interested in something that we are interested in too. And when we do so, we give ourselves- and our partners- the opportunity to experiment, expand and explore new edges of being.

Power Play and Passion: Consent in the Kink Community

This isn’t about polyamory, but rather about a topic that is very dear and important to me: building Consent Culture.

There’s something severely broken in the way we relate to our sexuality if events billed as sexy are using visuals of war and violence, torture and objectification, gore and the glorification of power. There’s nothing sexy about war. There’s nothing healthy about subjugating a group of people to violence and death on the name of the squabbles of a few individuals.

When did this become a sexy ideal?

When did this become a sexy ideal?

This is different from power-play, different from unleashing primal instincts within us. It’s the promotion of a highly regimented and heart-disengaged approach to sex. It separates us from the beauty of things.

Personally, I’m not interested in the kink of emotional distance, nor in sex that is without heart.

A little while ago I went to a kink event where I knew several people. After this event, two friends of mine (who did not know one another) came to me and told me they had been physically assaulted at this event. Their descriptions of the assault (being physically grabbed and pushed) matched up so closely that I surmised it must have been the same person who did both,-and upon further inquiry, I found out that yes, it was the same person. And this person regularly attends similar events.

Now, I get that grabbing and pushing is something that two people might decide they want to get into in a scene. That can be someone’s kink. Heck, when I am with a partner I trust implicitly, I enjoy exploring some rough handling. But, the trust has to be there. Consent is not optional- it’s mandatory.

When did violence become sexy?

When did violence become sexy?

So, the simple fact that someone could walk into a kink event thinking that it is okay to do something like that, to grab and push someone without asking for permission, without engaging in consent-positive behavior- that deeply concerns me. It’s an example of what so many people find repulsive and disgusting about the kink world. It’s that perpetuation of the emotionally disengaged sexuality.

To put it quite simply, if your kinks revolve around being emotionally disengaged from the people who you are exploring experiences with, then something isn’t right.

That’s not to say you have to be in love with someone before you can be sexual with them. It’s about maintaining your humanity and compassion whilst engaging in kinky activities.

Aggressive actions, if consented to within the context of intimate and sexual play, cease to be violent and can become expressions of passion. Without consent, however, without an established intimate dialogue, they are violent, unhealthy, and amount to physical assault.

Physical play can be a beautiful expression of passion.

Physical play can be a beautiful expression of passion.

So- I ask you to ask yourself, what are your motivations when you are getting your kink on? Do you have empathy and compassion with the partners you engage with? Are you coming at it from your heart? And, most important of all- do you remember to ask for permission and check for consent?

Bottom line: when we connect with our innate care, compassion and consideration for other beings, consent comes naturally.  I think it’s high time that we work to put the affection back into all forms of sexy play, to let our kinks be led by our loving creativity rather than by suppressed violence.  

Aspiring towards Authenticity: Crusading for Consent

“A consent culture is one in which the prevailing narrative of sex–in fact, of human interaction–is centered around mutual consent.  It is a culture with an abhorrence of forcing anyone into anything, a respect for the absolute necessity of bodily autonomy, a culture that believes that a person is always the best judge of their own wants and needs.”
~ The Pervocracy

Consent.

One of the reasons I am so passionate about promoting Consent Culture is that I spent so much of my life ignorant of it. No one taught me what respect for another persons sovereignty and boundaries was or looked like. The models for relationship I grew up with were based on control, manipulation, and on ownership dynamics.

As I became involved in the poly scene I began to hear catchphrases like “Only Yes Means Yes”, but I still didn’t get it, not until someone asked me to talk about the rules of consent at a large event. When I sat down to think about what consent means to me, I became painfully aware of how many times, in connecting intimately with others, I had overlooked whether I had their consent or not- and also how often I had gone along with something because I didn’t know it was okay to say no. I realized that with every instance, that relationship where consent had been absent was one that became toxic, filled with drama, and ultimately disruptive and destructive for everyone involved.

skelatorislove

Whether we are conscious of it or not, when our right to non-consent is violated or ignored, it effects us. We can attempt to rationalize it as “Well, I put myself in that situation”- but rationalizing it is not okay. We can want so desperately to feel a Yes (because we think it means we are desirable or popular or loved) that we ignore the loud screaming No coming from deep within ourselves. And it is hard to come to terms with having done to us- or even doing to others- something which did not have explicit consent.

When we sacrifice our sovereignty to placate or please others, something damaging happens to us: we learn that it’s okay to ignore non consent. We become part of perpetuating that culture of kyriarchy and control. And the problem is, this cycle of non consent has been going on for eons; for as long as we have record of human interactions we have tried to dominate and control one another.

I-believe-in-karma

Spiritualists might say “Oh this must have been my Karma,” or “Oh well, that was that person’s Karma,” but in my opinion that is a dangerous attitude, and one that reeks of Spiritual Bypassing. As a consequence of attitudes like this, abusers, misogynists and rapists often find too easy a home within spiritual communities- leading to the perpetuation of outdated gender stereotypes in an environment where people should be looking beyond them. At its core, no matter what your approach, Spirituality looks to encourage the growth of the soul, to improve the human condition. The most significant thing we can do to that end, I believe, is to no longer accept the perpetuation of tyrannical attitudes of ownership and control, and to replace those with a cooperative structure based on consent and communication.

One of the most important steps to being able to embody Consent Culture is nurturing authenticity within ourselves. If we are afraid to be ourselves, afraid to voice authentically who we are, what we are, what we are comfortable and uncomfortable with- then we are hindered in our ability to give or refuse consent. We have to nurture authentic dialogue with ourselves- something that I know I personally found very challenging during the days when I was partying and drinking excessively.

“Among those socialized as girls, however, there’s an often particularly extra-strong need to be nice, to put others’ needs before your own, and to follow the unwritten expectation that you must be compliant and self-sacrificing to be of value… Don’t rock the boat. Don’t talk back (especially to men). Be humble. Be accommodating. Put others before yourself. Be compliant…”
~ Marcia Bazcynski, The Good Girl Recovery Program

no

We can all learn how how to hear, accept, and respect a “No”. And I don’t just mean in a sexual context. In any context. If we are unable to respect the individuality and autonomy of those around us, and dismiss another person’s “No”, potentially even arguing with them about it, we are still buying into that paradigm that says it’s okay for us to attempt to manipulate, control, and direct the decisions of others. Consent is absolutely the most important aspect of any relationship.

On New Year’s I had a great experience with consent. I was at a house party, in a ‘cuddle puddle’ with a few people- some of whom I had met that night, some of whom I already knew. There was a lot of kissing going on in this cuddle puddle. I found myself curious about one woman in particular and- well, I don’t remember how it began, but at some point, I think I started it and asked if I could kiss her. She said yes. Then she asked if she could kiss me. Yes. Then I asked if I could touch her body. Yes. She asked if she could touch my thighs. Of course. She said she liked spanking: could I spank her? Yes please. I was curious about scratching: could she scratch me? Maybe a little. Was that too hard? No. And on it progressed. It was one of the sexiest consent-fueled first encounters I’ve ever had with anyone.

I learned that night that Consent really is that ‘easy’. It’s about respecting that everyone has different boundaries, and making no assumptions about what those boundaries are. Consent isn’t time consuming- it’s sexy, and empowering, and takes a heck of a lot of guess work out of things. There’s no more silent questioning, “Are they enjoying this?” because you become comfortable with simply asking if the other person is enjoying the experience. There’s no trampling over someone’s comfort zones- rather, you get to gently glide to the edges of where you are each willing to explore. And when done right, it can build the anticipation ten fold.

It’s taken me time and practice to get comfortable with asking for consent and giving consent or non consent, but I think I get it now. It starts with a dialogue with yourself. Next time you are going on a date, or to a party- what do you give yourself permission to do, and to not do? What will you be comfortable with, and uncomfortable with, and with whom? Knowing our own boundaries, becoming intimately familiar with our own “Fuck Yes!” and our “Hell No” and the “Maybe”, we equip ourselves to be in a better position to both ask for, hear, and express consent and non-consent.

authenticity1

There is strength in abandoning the masks and living authentically. We have to be the change we want to see in the society around us; living in our own truth, and being generous with our authenticity, is one of the most radical, most transformational practices we can engage with.

So, whether you’d like to buy someone a drink, or you would like to put a balloon sculptured animal on their head and serenade them with free-styled Klingon rap- always ask, never assume, and then respect whatever their answer is.

The bottom line is this: consent begins with knowing what we want, and don’t want, and maybe want- and articulating it, knowing that others have things they want, don’t want, and maybe want too-  to listen to them articulating it, respecting where those wants don’t overlap- and daring to dive in and explore where they do.

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